Friday, November 18, 2011

Dolphins and Whales 3D: Tribes of the Ocean Poster Movie French 11x17 Daryl Hannah

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I Sell the Dead

  • I SELL THE DEAD (DVD MOVIE)
Ein! Zwei! Die!
Get ready for the film that shocked Sundance, rocked Europe and knocked American horror fans out of their seats: When a group of medical students take a sex-and-booze-fueled ski vacation to a remote cabin in the Norwegian Alps, they uncover a dark secret from WWII that resurrects a battalion of uncontrollable, unstoppable and extremely undead Nazis. What follows is a blitzkrieg of bloodshed, body parts and action-packed zombie carnage that The New York Observer hails as relentless thrills, unimaginable horrors and a shock ending guaranteed to make you scream out loud! Writer/director Tommy Wirkola spares no amount of flesh-chomping, intestine-ripping, and chainsaw-slicing to deliver perhaps the finest Nazi Zombie movie of our time and one of the most ferocious, outrageous and over-the-top horror hits of the year!Let us begin with two words: "Nazi! zombies." Let us add two more: "Hitler's gold." Yes, it's true. These are the elements of Dead Snow, a Norwegian horror picture that unleashes an undead blitzkrieg across an otherwise inviting winter landscape. The five vacationing med students who have blundered into this backcountry in search of fun have no idea that their actions will draw the attention of the aforesaid zombies of the Third Reich (what these reanimated corpses are doing in the mountains of Norway will be explained in good time). It would be nice to report that Dead Snow lives up to the outrageousness of its concept, but far too much of this thing is taken up with standard-issue slasher tropes: self-conscious dialogue about the plot's resemblance to an Evil Dead scenario, gross-out moments for their own sake (a sequence in an outhouse is especially regrettable), and decidedly uneven acting. The movie earns a few points for a grabby nighttime opening sequence and its unhealthy devotio! n to the art of entrails stretching (which, when it comes to p! eople ha nging off snowy cliffs, can have practical applications you probably never even thought about). The enthusiastic mayhem can't be denied, so if a sheer body count is your yardstick, Dead Snow comes across. But given the proximity of Nazi gold and the possibilities suggested by Hitler's minions returning from their snowy graves, this movie disappoints. --Robert HortonEin! Zwei! Die!
Get ready for the film that shocked Sundance, rocked Europe and knocked American horror fans out of their seats: When a group of medical students take a sex-and-booze-fueled ski vacation to a remote cabin in the Norwegian Alps, they uncover a dark secret from WWII that resurrects a battalion of uncontrollable, unstoppable and extremely undead Nazis. What follows is a blitzkrieg of bloodshed, body parts and action-packed zombie carnage that The New York Observer hails as relentless thrills, unimaginable horrors and a shock ending guaranteed to make you scream out loud! Writer/direct! or Tommy Wirkola spares no amount of flesh-chomping, intestine-ripping, and chainsaw-slicing to deliver perhaps the finest Nazi Zombie movie of our time and one of the most ferocious, outrageous and over-the-top horror hits of the year!Let us begin with two words: "Nazi zombies." Let us add two more: "Hitler's gold." Yes, it's true. These are the elements of Dead Snow, a Norwegian horror picture that unleashes an undead blitzkrieg across an otherwise inviting winter landscape. The five vacationing med students who have blundered into this backcountry in search of fun have no idea that their actions will draw the attention of the aforesaid zombies of the Third Reich (what these reanimated corpses are doing in the mountains of Norway will be explained in good time). It would be nice to report that Dead Snow lives up to the outrageousness of its concept, but far too much of this thing is taken up with standard-issue slasher tropes: self-conscious dialogue about t! he plot's resemblance to an Evil Dead scenario, gross-o! ut momen ts for their own sake (a sequence in an outhouse is especially regrettable), and decidedly uneven acting. The movie earns a few points for a grabby nighttime opening sequence and its unhealthy devotion to the art of entrails stretching (which, when it comes to people hanging off snowy cliffs, can have practical applications you probably never even thought about). The enthusiastic mayhem can't be denied, so if a sheer body count is your yardstick, Dead Snow comes across. But given the proximity of Nazi gold and the possibilities suggested by Hitler's minions returning from their snowy graves, this movie disappoints. --Robert HortonNever Trust A Corpse
It was a time of ghouls, ghosts and most ghastly of all, the fine art of grave robbing. Dominic Monaghan of LORD OF THE RINGS and LOST stars as 19th century corpse snatcher Arthur Blake, who pilfered the cemeteries and coffins of England until his capture by police. But just before Blake is to meet the hangman s! noose, he will confess to a peculiar priest (Ron Perlman of HELLBOY and SONS OF ANARCHY) his gruesome tale of vampires, zombies and cadaver dealing that takes him from the savagery of the criminal underworld to the terrors of the undead. Producer Larry Fessenden (WENDIGO, THE LAST WINTER) and Angus Scrimm (PHANTASM) co-star in this deliriously grisly and hilarious homage to foggy graveyards, bloody mayhem and the golden age gothic horror.
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Warhammer 40K RPG: Deathwatch Core Rulebook (Warhammer 40,000)

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From the Boiler Room to the Living Room: The Financial Services Revolution and What it Means to You and Your Clients

  • ISBN13: 9780470255094
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Sure to make you think twice before responding to the next telephone sales call you receive, this volume explores why telephone boiler rooms and other scams thrive and how fraudulent techniques and deception migrate to and from conventional businesses. "The Boiler Room and Other Telephone Sales Scams" is grounded in the nine years Robert Stevenson spent working covertly as a "participant-observer" in telephone rooms (the ethical implications of which he discusses in an epilogue). As Stevenson details boiler room hierarchy, you'll learn why all boilers are telephone salesmen but not all telephone salesmen are boilers. You'll read about the "heat" rising in rooms where experienced pitchmen use tried-and-! true manipulative techniques to overcome objections to sales. And you'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril-the former of losing their jobs and the latter of losing their money. "The Boiler Room and Other Telephone Sales Scams" is required reading for anyone who's ever picked up a telephone and been asked to buy a product or a service. It's also an invaluable study of a widespread form of deviance and occupational crime, essential reading for students of criminology and the sociology of occupations.Author Mitch Anthony has been recognized as the voice of conscience for the financial services industry. For more than a decade, he has shown advisors how building authentic, genuine relationships can serve clients' best interests and build heathlyâ€"and financially successfulâ€"practices at the same time.

In From the Boiler Room to the Livin! g Room, Mitch examines where the financial services indust! ry has f ailed in the past, and what it needs to do to restore trust at both the individual and industry levels. He teaches readers how to better understand the emotional significance of the money that clients entrust to their advisors and the struggles they face as they attempt to get "more life for their money." The book also discusses why venture philosophy, funding single moments, and rethinking one's purpose in life is more important to clients than net worth or asset allocation. Finally, it discusses how to develop dialogues that forge meaningful, long-term client connectionsâ€"in other words, how to stop selling and start listening.

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Karen London "Crimson" Red Coral Gold Multi Chain Necklace

  • Natural coral (dyed) wire-wrapped and strung on electro-plated brass chains
  • Findings are .925 silver with a vermeil overlay
  • Handmade in the USA
  • Made in USA
Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an upto! wn jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ! ground but is more familiar with a life of marginal importance! . When a n eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh
She wanted out.

She wanted a new life.

She wanted a trophy worthy of a master thief.

She wanted to find the source of the treasured crimson gold.

She wanted to face an undead emperor on his home ground and live to tell the tale.

Careful what you wish for.

The Crimson Gold is the third title in this ongoing Forgotten Realms series focusing specifically on the shadowed life of the iconic character class of the rogue. Each novel in the series is a stand-alone adventure, allowing readers an easy entry point into the Forgotten Realms world.

The '25, '61, '78, '79, and '92 national championships, the first game under Coach Paul! "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love as they listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

The '25, '61, '78, '79, and '92 national championships! , the first game under Coach Paul "Bear" Bryant, the Alabama-T! ennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love as they listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an int! imate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and di! rector, respectively (as they did on 1996's The White Ballo! on), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh
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Almost Famous [Blu-ray]

  • cameron crowe almost famous kate hudson
Audiences and critics alike are raving about this larger-than-life rock'n 'roll favorite that Roger Ebert calls "one of the best movies of the year!" The guys of Stillwater have the sound, they have the look and Rolling Stone Magazine wants their story. For young reporter William Miller, it's the opportunity of a lifetime as he hits the road with his favorite band and discovers the price of fame, the value of family and the limits of friendship.Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to ! '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers, Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet fin! ale, Crowe's comedic valentine is an indelible, heartbreaking ! romance of music, women, and the privilege of youth. --Doug ThomasCameron Crowe's award-winning semi-autobiographical look at the world of 1970s rock music will be presented in its longer "bootleg cut," with a 162-minute run time. Special features include: * Audio commentary with Cameron Crowe and Alice Crowe * Audio introduction by Crowe * Featurette: The Making of Almost Famous * Interview with the real Lester Bangs * Cameron Crowe's Top Albums of 1973 * Music video: "Fever Dog" * Stillwater's Cleveland Concert * "Small Time Blues" * Stairway * "B-Sides" behind-the-scenes footage * Seven Rolling Stone articles with audio introduction by Crowe: o The Allman Brothers from Dec. 6, 1973 o Led Zeppelin from March 13, 1975 o Neil Young from Aug. 14, 1975 o Peter Frampton from Feb. 10, 1977 o Fleetwood Mac from March 24, 1977 o Van Morrison from May 19, 1977 o Joni Mitchell from July 26, 1979Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers! , Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet finale, Crowe's comedic valentine is an indelible, heartbreaking romance of music, women, and the privilege of youth. --Doug Thomas
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America Freedom to Fascism

  • Sobering documentary
  • over 2 hours long
  • Shocking
  • Motivating
  • Life Changing
Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

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The Bad Lieutenant: Port of Call New Orleans - Laminated Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • You are looking at a beautiful, professionally laminated poster.
  • Lamination is a cost effective way to extend the life of your print or poster.
  • Rolled and shipped in a sturdy tube.
  • Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
  • This poster is from The Bad Lieutenant: Port of Call New Orleans (2009)
In Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abando! n. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedu! ral will be baffled by Herzog's unpredictable direction--the c! amera wi ll suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs whi! le playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But e! ven before he became addicted he wasn't a nice guy, and afterw! ard he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting ca! st, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerDVD Details * Actor(s): Nicolas Cage :search Nicolas Cage Eva Mendes :search Eva Mendes Russell M. Haeuser :search Russell M. Haeuser Val Kilmer :search Val Kilmer Fairuza Balk :search Fairuza Balk * Format: Color Standard screen * Soundtrack: English * Additional: Import * Rating: R * MSRP: $65.98 * Release Date: 1 5 2010 * Number of Discs: 1Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable o! f being honorable... or at least a smart cop. As his drug use ! and gamb ling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, an! d a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog’s highly anticipated new film, Nicolas Cage plays a man as devoted to police work as he is to scoring drugs. A high-functioning addict who is a deeply intuitive, fearless detective, he ranges over the beautiful ruins of New Orleans with authority and abandon. Adding to his tumultuous life is the prostitute he loves (played by Eva Mendes). Together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manicly humorous. In this book devoted to the film, renowned photographer Lena Herzog’s documentation of the film captures the uniqueness of the director’s vision, the set, and the actors. The volume also includes the script, written by Billy Finkelstein, reworked by Herzog.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot ! in post-Katrina New Orleans (presumably so that Herzog could t! ake adva ntage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with H! erzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.
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Farce of the Penguins : Widescreen Edition

  • Widescreen
It's mating season...

Meet Carl (Bob Saget) and Jimmy (Lewis Black), two cold penguins on a desperate mission to get themselves some hot booty. After years of empty one-night stands, Carl wants more than a piece of penguin tail. He wants the love of the beautiful Melissa (Christina Applegate). Now it's up to Jimmy to help his neurotic friend win her heart and find his dream girl. The only thing that stands in their way is...a seventy-mile trek across Antarctica. It's a road trip like no other, as these two best bros make their way to a penguin island paradise. From director and comedian Bob Saget, comes a raunchy, yet heart-warming comedy like no other.

Get ready for a stiff and dirty ride! May the FARCE be with you...Between Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated m! ockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. ! Samuel Jackson, the ultimate omniscient narrator, furthering t! he story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Penguins is a fun idea perhaps taken too far. Nonetheless, there is always something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie DaltonStudio: Lions Gate Home Ent. Release Date: 02/05/2008 Run time: 80 minutes Rating: RBetween Snakes On A Plane and Farce of the Penguins, one really wonders what Samuel Jackson has been smoking. This Jackson-narrated mockmentary of March of the Penguins, written and directed by Bob Saget (America's Funniest Home Videos), highlights the penguins' lascivious side, as the male's march inland to find mating partners. Overdubbed with human voices, Farce stars three penguins, Carl (Bob Saget), a neurotic, insecure! bird whose search for true love has so far been in vain, Jimmy (Lewis Black), a mobster-like father figure who encourages Carl to keep up hope, and Marcus (Tracy Morgan), a smooth, African American penguin with a self-professed huge penis. Miles away, as the men journey inward, fighting off seals and engaging in therapy sessions with snowy owls along the way, Vicky (Mo'nique) tells Melissa (Christina Applegate) that someday her Prince Charming will come, which, predictably, he does. Watching penguins discussing the meaning of life, questioning their annual masochistic hike through tundra, or wondering if they have eating disorders is funny for about ten minutes. Samuel Jackson, the ultimate omniscient narrator, furthering the story between scenes is also odd and laughable. But Farce of The Penguins relies on its lewd humor for laughs, and though it is disarming to see waddling birds cuss, Farce's one-liner gets old. Yes, penguins have sex. Farce of the Pen! guins is a fun idea perhaps taken too far. Nonetheless, th! ere is a lways something pleasing about anthropomorphizing animals, especially for lovers of crude sex jokes. --Trinie Daltondvd

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