Tuesday, November 29, 2011

Paris

  • PARIS (DVD MOVIE)
AVENUE MONTAIGNE centers around Jessica (Cecile de France) a beautiful young woman from the provinces who comes to Paris and lands a job waiting tables at a chic bistro on fabled Avenue Montaigne, the city's nexus for art, music, theater and fashion. Jessica's customers include a popular TV actress (Valerie Lemercier) who is courting a major Hollywood director (Sydney Pollack) for her first serious film role; a wealthy art collector (Claude Brasseur) who is about to liquidate a lifetime's worth of treasures at auction; and an illustrious classical pianist (Albert Dupontel) who is at odds with his manager/wife (Laura Morante) as to where his career is headed. Precisely because Jessica doesn't know how celebrated these people are, her guileless and completely unintimidated engagement in their lives has a transforming effect on them - and ultimately her.

This product is m! anufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

French for "Orchestra Seats," Avenue Montaigne offers an outsider's perspective on an insular world (the original title is Fauteuils d'Orchestre). After bidding adieu to her grandmother (Suzanne Flon in her final performance), sunny Jessica (Cécile De France, L'Auberge Espagnole) moves from Mâcon to Paris. Upon securing a job as a waitress in a popular café, she meets high-strung soap star Catherine (Valérie Lemercier), burnt-out pianist Jean-François (Albert Dupontel), and secretive art collector Jacques (Claude Brasseur), who comes equipped with a pretty girlfriend and a handsome son (Christopher Thompson). Though the tousled Jessica has little in common with these posh Parisians, she affects each of their lives in ways both big and small. Directed by Danièle Thompson (La Bûche) and co-written with her son, Christopher, Avenue Mo! ntaigne serves as the flipside to French phenomenon Whe! n the Ca t's Away, in which a young woman meets the people in her neighborhood while searching for an errant feline. In this case, the surroundings are more upscale, but the residents are just as susceptible to fear and insecurity. Though the idea of a sympathetic look at the upper class will surely strike some as off-putting, Thompson makes it work. The genuine affection she feels for her characters--privileged and underprivileged alike--and the grace with which she keeps several plot strands going at once proves that the spirit of Robert Altman lives on in the most unlikely of places. --Kathleen C. FennessyFrance released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: French ( Dolby Digital 2.0 ), French ( Dolby Digital 5.1 ), English ( Subtitles ), French ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Commentary, Deleted Scenes, Interactive Menu, Making Of, Scene Access! , SYNOPSIS: A film about love and art, about passing time and time passing, "Avenue Montaigne" is a humble pleasure. The modesty feels intentional and misleading: the story is a nominally light affair abuzz with minor incidents, comic faces, choreographed nonsense, melodramatic blips and swells. But there are serious complications too, including a handful of characters facing life-altering decisions. On the face of it the film recalls the light comedies of what the French call boulevard theater, which were meant to entertain well-heeled patrons but at times, as with "Avenue Montaigne," also offered more. SCREENED/AWARDED AT: Ceasar Awards, ...Avenue Montaigne ( Fauteuils D'orchestre ) ( Orchestra Seats )In Paris, a city of a thousand faces, everyone has a story.

From Cédric Klapisch the award-winning writer/director of L AUBERGE ESPANGOLE comes a deliciously intimate new valentine to The City Of Lights featuring an all-star cast that includes Oscar®-winner Juliette! Binoche (THE ENGLISH PATIENT), Romain Duris (THE BEAT THAT MY! HEART S KIPPED), Mélanie Laurent (INGLORIOUS BASTERDS) and François Cluzet (TELL NO ONE). It s the story of a young Moulin Rouge dancer (Duris) awaiting a heart transplant, his single-mother/social worker sister (Binoche), and their rediscovery of the life, laughter and love that hides within every balcony, apartment window, street corner and market stall. These are the stories of the middle class and bourgeois, immigrants and students, fashion models and homeless, and all the lovers and strangers whose paths could only cross and whose worlds are about to change forever in PARIS.In Paris, a superb cast led by by Romain Duris (The Beat That My Heart Skipped) and Juliette Binoche (The English Patient,Caché) give emotional heft to a delicate web of social relationships. Previous films of French director Cedric Klapisch have made a microcosm of a neighborhood (When the Cat’s Away) and a shared apartment (L’auberge espagnole). Paris! encompasses the City of Lights in an Altman-esque merry-go-round: When a dancer (Duris) discovers he has heart trouble, he’s reluctant to tell his sister (Binoche), a social worker raising three children by herself. Meanwhile, a middle-aged historian (Fabrice Luchini, Claire’s Knee) finds sudden fortune as the host of a television series, but can’t keep himself from sending Baudelaire poems via text message to a lovely young student (Melanie Laurent, Inglourious Basterds). In between these two primary storylines, a multitude of other characters overlap in significant and trivial ways. Minor disappointments and casual pleasures brush against life-changing troubles and, every once in a while, the tantalizing possibility of a lasting happiness. Klapisch has broad ideas about the importance of community, spontaneity, and human contact, but the movie’s success lies in the grit and vividness of simple social interactions--awkward, combative, misunderstood, ! and joyous. There are missteps (a flimsy dream sequence jars a! gainst t he movie’s deft naturalism), but they’re small and forgivable. Paris is a lovely and moving film, full of offhand gestures and accidents that will linger in your memory, charged with unexpected resonance. --Bret Fetzer

D.O.A. - Dead or Alive

  • Four gorgeous women are invited to a remote island to participate in a fighting tournament. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019796941 UPC: 796019796941 Manufacturer No: 79694
Four gorgeous women are invited to a remote island to participate in a fighting tournament.Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly (My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Ho! lly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. --Paul Gaita

L.A. Confidential (Two-Disc Special Edition)

  • L.A. Confidential is "tough, gorgeous and vastly entertaining" (James Maslin, The New York Times) and won 1997 Academy Awards for Best Supporting Actress (Kim Basinger) and Best Adapted Screenplay (Brian Helgeland & Curtis Hanson). Three cops, a call girl, a mysterious millionaire, a tabloid journalist fuel a labyrinthine plot rife with mystery, ambition, romance and humor. Format: DVD MOVI
Landmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chin! atown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorabl! e cameo as the thug who tangles with Nicholson's nose. One of ! the grea test, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of a! ll time. --Anne HurleyLandmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in ! the Chandler mold, who during a routine straying-spouse invest! igation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigs! aw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyJack Nicholson returns as private eye Jake Gittes in this atmospheric Chinatown follow-up that's hit upon "the elusive sequel formula for somehow enhancing a great original" (Mike Clark, USA Today).Much has changed since we last saw Jake. The war has come and gone; 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: "Nine times out of ten, if you foll! ow the money you will get to the truth." And that's the trail ! he follo ws when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil--and to Jake's own past.Set more than a decade after the story in Chinatown, this 1990 sequel brings Jack Nicholson back to the screen as L.A. private detective Jake Gittes. Older, fatter, worn, and frustrated, the Jake of 1948 is still haunted by the tragic events of the earlier film. While investigating a case involving adultery and questionable land dealings by an L.A. tycoon (Harvey Keitel as the other Jake), Gittes unexpectedly confronts a few old ghosts and discovers that the resource of choice in Southern California--one for which people die--is no longer water but oil. The film had a notorious production history, with Nicholson taking over the project from writer-director Robert Towne, and the dense plot can be difficult to follow. But if The Two Jakes doesn't measure up to the legendary status of its stylish predecessor, the film does satisfy o! n its own terms and brings the events of Chinatown to a moving conclusion. Terrific work by Keitel and supporting players Meg Tilly, Madeleine Stowe, Eli Wallach, and Ruben Blades. --Tom KeoghRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a bri! ef, memorable cameo as the thug who tangles with Nicholson's n! ose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyLA CONFIDENTIAL:SPECIAL EDITION - DVD MovieIn a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere, and White Jazz)--a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy vot! ers: Russell Crowe, Guy Pearce, Kevin Spacey, and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical, and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson

Asylum

  • When Dr. Martin (Robert Powell) arrives at the Dunmoor Asylum for The Incurably Insane, he expects to be interviewed for a job by the asylum s director, Dr. Starr. Instead, he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr has suffered a mental breakdown and is now one of the patients. Dr. Rutherford states that if Martin can deduce which patient is Dr. Starr, then he will b

Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.

When Dr. Martin (Robert Powell) arrives at the Dunsmoor Asylum for the incurably insane, he expects to be interviewed by asylum director Dr. Starr. Instead he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr had suffered a mental breakdown and now is one of the patients. Dr. Rutherford decides that if Martin can deduce which one is really Dr. ! Starr, then he will be given the position. Is it Bonnie (Barbara Parkins), whose affair with a married man turns murderous? Is it Bruno (Barry Morse), a hardluck tailor visited by a mysterious stranger (Peter Cushing) with a blueprint and very special fabric for an unusual suit? Is it Barbara (Charlotte Rampling), accused of murdering her brother and her nurse but insisting that her friend Lucy (Britt Ekland) was responsible; Or is it Dr. Byron (Herbert Lom) who claims the ability to transfer collecting.One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stories. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highl! ighted by dismembered body parts neatly wrapped in butcher pap! er wrigg ling back to life for revenge), but Charlotte Rampling and Britt Eklund are marvelous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer will power.

Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cushing), and ultimately Baker makes that gloomy look work for his increasingly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker

ATL (Full Screen Edition)

  • Sometimes 17-year-old Rashad and his pals hang out at the Waffle House, trying to figure out what's next after they graduate. But on Sunday nights, they know what's coming. They'll be at the Cascade roller rink: laying down moves, chillin' with friends.and for a few hours leaving what's outside outside.ATL is a Sunday night fever of laughs, drama and crunk sounds. Video director Chris Robinson ma
Sometimes 17-year-old Rashad and his pals hang out at the Waffle House, trying to figure out what's next after they graduate. But on Sunday nights, they know what's coming. They'll be at the Cascade roller rink: laying down moves, chillin' with friends...and for a few hours leaving what's outside outside. ATL is a Sunday night fever of laughs, drama and crunk sounds. Video director Chris Robinson makes his feature debut, guiding an ensemble that includes astonishingly natural movie newcomers Tip Harr! is (aka rapper T.I.), Lauren London and Antwan Andre Patton (aka Big Boi of the duo OutKast).

DVD Features:
Deleted Scenes
Featurette
Music Video
Theatrical Trailer

If you've grown weary of gangsta thrillers and violent depictions of thug life, ATL will hit you like a breath of fresh air. Based on a story by Antwone Fisher (writer and subject of the 2003 film that bears his name) and written by Tina Gordon Chism, it's essentially a contemporary African-American riff on American Graffiti, focusing on a group of teenagers on the cusp of adulthood, learning valuable life lessons as they strive to make a better future for themselves and their loved ones. The title refers to the airport designation for Atlanta, and that's where orphaned 17-year-old Rashad (Tip Harris, aka rapper T.I.) lives with his younger brother Anton (Evan Ross) and uncle George (Mykelti Williamson). They're poor like most Southside famili! es, but they're making ends meet, caring for each other and fo! rging li fe-long friendships with guys like the smart, ambitious Esquire (Jackie Long), transplanted New Yorker Brooklyn (Albert Daniels), and likable homeboy Teddy (Jason Weaver). On Sunday nights they hang at the Cascade roller rink, trying to impress the girls with their latest moves, and director Chris Robinson (veteran of many music videos) captures it all with casual momentum and genuine affection for his characters. A little too casual perhaps (the pacing sometimes lags), but with a lively mix of color and music, ATL manages to be positive and hopeful without sanitizing the harsher realities (including drugs and violence) of modern urban America. There are threats and obstacles to overcome, but ATL is all about potential, striving for goals and accepting responsibility for one's own actions. Between this and Get Rich or Die Tryin', which example would you prefer to follow? --Jeff Shannon

Incredible Creatures: Brown Bat

High Tension

  • DVD Details: Actors: Cecile De France, Maiwenn Le Besco, Philippe Nahon, Franck Khalfoun, Andrei Finti
  • Directors: Alexandre Aja
  • Format: Closed-captioned, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, NTSC
  • Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: October 11, 2005 ; Run Time: 91 minutes
HIGH TENSION - DVD MovieHome to some of the world's best food and fashion, the French also have the wonderful habit of producing some of the world's best movies. With High Tension, French director Alexandre Aja offers up a bloody buffet of terror; a violent concoction of style over substance, with a bloody French twist. Two college girlfriends, Maria and Alex, take a weekend to study at the secluded country home of Alex's parents. Shortly after their arrival, a mysterious killer appears, and things take a shockingly terribl! e turn for the worse. As the horror and body count rises, Maria and Alex find themselves fighting for their lives, and it's revealed that things are not exactly as they seem. Essentially a one-act cat-and-mouse affair, High Tension is an explosive bloody thrill ride that rarely lets up. Oozing style in every color-saturated frame and boasting some intense performances, Aja mainly succeeds in sustaining an intense momentum throughout the film. The plot occasionally suffers from a thin, flimsy storyline, and the abundant graphic scenes of violence will either thrill and delight, or simply disgust. Nonetheless, this adrenalin-fueled addition to the genre gives the American slasher flick a real run for its money. High Tension is high-art horror, and comes highly recommended. --Matt WoldHIGH TENSION is an intense game of murder and survival, which will rattle viewers to their core. Marie and Alexia are classmates and best friends who go to Alexiaâ€! ™s family home in the French countryside hoping to prepare for! their c ollege exams in peace and quiet. In the dead of night, a psychotic killer breaks into the house, and with the first swing of his knife, the girl’s idyllic weekend turns into an endless nightmare. When Alexia is captured and thrown into a van, Marie attempts to rescue her friend from the evil murderer. High Tension truly brings slasher films back to their roots with this gore-addled film, packed with blood and guts.For much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, and trimmed of its most excessive gore to avoid an NC-17 rating during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't s! uch a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff ShannonHIGH TENSION - DVD MovieFor much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, a! nd trimmed of its most excessive gore to avoid an NC-17 rating! during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't such a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its ! French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff Shannon

Bride Wars (2009) Widescreen

  • Comedy
  • DVD

Genre: Comedy
Rating: PG
Release Date: 28-APR-2009
Media Type: DVD

How important is the perfect wedding? Emma (Anne Hathaway) and Liv (Kate Hudson) have been best friends since childhood and each has always dreamed of an extravagant wedding at the Plaza hotel. When both friends get engaged in the same week, they rush to the exclusive wedding planner Marion St. Claire (Candice Bergen) to book the perfect weddings at the Plaza hotel. The reservations get mixed up and both weddings end up scheduled on the same day and, since there are no other suitable openings available at the Plaza, the friends find themselves in the impossible situation of having to decide who will sacrifice her long-held dream and change venues. It turns out that neither woman is willing to give up her plans for a perfect wedding and the friends tu! rn against one another in a hilarious battle that results in everything from blue hair to rumors of pregnancy and embarrassing home videos accompanying one bride's walk down the aisle. Can even a life-long friendship survive the emotional turmoil of two weddings gone wrong? Bride Wars is an amusing look at the trials of friendship and love that's sure to inspire laughter and perhaps even a tear or two. --Tami Horiuchi

Stills from Bride Wars (Click for larger image)



     


Genre: Comedy
Rating: PG
Release Date: 28-APR-2009
Media Type: Blu-Ray

How important is the perfect wedding? Emma (Anne Hathaway) and Liv (Kate Hudson) have been best friends since childhood and each has always dreamed of an extravagant wedding at the Plaza hotel. When both fr! iends get engaged in the same week, they rush to the exclusive wedding planner Marion St. Claire (Candice Bergen) to book the perfect weddings at the Plaza hotel. The reservations get mixed up and both weddings end up scheduled on the same day and, since there are no other suitable openings available at the Plaza, the friends find themselves in the impossible situation of having to decide who will sacrifice her long-held dream and change venues. It turns out that neither woman is willing to give up her plans for a perfect wedding and the friends turn against one another in a hilarious battle that results in everything from blue hair to rumors of pregnancy and embarrassing home videos accompanying one bride's walk down the aisle. Can even a life-long friendship survive the emotional turmoil of two weddings gone wrong? Bride Wars is an amusing look at the trials of friendship and love that's sure to inspire laughter and perhaps even a tear or two. --Tami Horiuchi!

Stills from Bride Wa! rs (Click for larger image)



     

Katherine Heigl (Knocked up, TV's Grey's Anatomy) lights up the screen in this charming romantic comedy from the screenwriter of The Devil Wears Prada." Heigl stars as Jane, a romantic, completely selfless woman who has been a bridesmaid in no less than 27 weddings. Unfortunately her own happy ending seems to be nowhere in sight. Until her younger sister Tess captures the heart of Jane's boss -- on whom Jane has a secret crush inspiring Jane to change her "always-a-bridesmaid" destiny.Katherine Heigl is delightful as Jane, a self-effacing Gal Friday so addicted to organizing weddings in her off time, that 27 Dresses opens with her character juggling two nuptials on the same night. A perpetual bridesmaid, Jane’s hobby is discovered by a matrimony repor! ter named Kevin (James Marsden), who hides a romantic side beh! ind his wall of cynicism. While Kevin gradually develops feelings for Jane, the latter’s superficial sister, Tess (Malin Akerman), pursues George (Edward Burns), Jane’s boss and the object of her love. This romantic circle could go on forever, except that Jane is unexpectedly moved by Kevin despite her general irritation with him and without knowing that he’s on the verge of sandbagging her with a ridiculing article in his newspaper. The situation is absurd, but the emotions are not. Heigl is very good, rooted in a long tradition of comely comediennes playing characters who fly under the radar of life. She makes Jane’s pain palpable and conveys her character’s inability to say no without making her look unappealing or weak. Marsden perfectly captures the part of a rumpled, underdressed writer with repressed passions, Akerman is as convincingly shrewish here as she was in The Heartbreak Kid, and Burns is fine as one of those guys so busy saving the world he barely pa! ys attention to the people in his life. The script by Aline Brosh McKenna (The Devil Wears Prada) is fun if predictable, and Anne Fletcher’s direction is vibrant. --Tom Keogh


Beyond 27 Dresses


More from Katherine Heigl

Amazon.com's Wedding Registry

More Romantic Comedies from Fox


Stills from 27 Dresses







How important is the perfect wedding? Emma (Anne Hathaway) and Liv (Kate Hudson) have been best friends since childhood and each has always dreamed of an extravagant wedding at the Plaza hotel. When both friends get engaged in the same week, they rush to the exclusive wedding planner Marion St. Claire (Candice Bergen) to book the perfec! t weddings at the Plaza hotel. The reservations get mixed up and both weddings end up scheduled on the same day and, since there are no other suitable openings available at the Plaza, the friends find themselves in the impossible situation of having to decide who will sacrifice her long-held dream and change venues. It turns out that neither woman is willing to give up her plans for a perfect wedding and the friends turn against one another in a hilarious battle that results in everything from blue hair to rumors of pregnancy and embarrassing home videos accompanying one bride's walk down the aisle. Can even a life-long friendship survive the emotional turmoil of two weddings gone wrong? Bride Wars is an amusing look at the trials of friendship and love that's sure to inspire laughter and perhaps even a tear or two. --Tami Horiuchi

The Cowboys [Blu-ray]

  • A veteren rancher risks everything when he recruits schoolboys to man a dangerous cattle drive. One of John Wayne's solid twilight hits, co-starring Bruce Dern and Colleen Dewhurst. Year: 1972 Director: Mark Rydell Starring: John Wayne, Roscoe Lee Browne, Bruce DernRunning Time: 134 min. Format: BLU-RAY DISC Genre: WESTERN Rating: NR Age: 085391142706 UPC: 0853911427
The Old West.. where a lone cowboy leads an uprising against a terror from beyond our world. 1873. Arizona Territory. A stranger with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It's a town that lives in fear. But Absolution is about to exp! erience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival. Cowboys & Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame)! wakes up in the midst of sagebrush with a mysterious gadget a! round hi s wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam Rockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given th! at six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret FetzerDaniel Craig and Harrison Ford star in this action-packed sci-fi western from the director of Iron Man (Jon Favreau) that critics call "wickedly original, unlike anything you've ever seen" (Jake Hamilton, Fox-TV Houston, TX). A stranger (Craig) stumbles into the desert town of Absolution with no memory of his past and a futuristic shackle around his wrist. With the help of mysterious beauty Ella (Olivia Wilde) and the iron-fisted Colonel Dolarhyde (Ford), he finds himself leading an unlikely posse of cowboys, outlaws, and Apache warriors against a common enemy from beyond this world in an epic showdown for survival. Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Adam Beach, Paul Dano, Noah Ringer, Keith Carradine, Clancy ! Brown, Ana de la Reguera Directed by: Jon FavreauCowboys & ! Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame) wakes up in the midst of sagebrush with a mysterious gadget around his wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam R! ockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given that six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret FetzerThis box set includes 8 westerns, all containing elements of sci-fi, horror, robots, death rays, and mystery: Radio Ranch, Ghost Patrol, Tombstone Canyon, Riders of the Whistling Skull, Sky Bandits, Gun Packer, Saddle Mountain Roundup, and Vanishing Riders. Filmed two years before Predator, many have commented that Alien Outlaw could have been that film's inspiration -- An alien ship lands in a remote mountain location and its occupants go on a hunting party. And, yes, their prey is human! This science f! iction adventure has been praised for its subtle social comme! ntary an d humankind's relationship with guns, friends and nature. Fashioned like an old comic book story, ALIEN OUTLAW is the second film that B-Western film star Lash La Rue did for Writer/Director Phil Smoot. Always starring in cowboy flicks that featured him with a whip, La Rue said, "They just won't let me put that thing down!" But in his last leading role, Lash La Rue breaks the mold in a film that features both guns and horses but allows him to put down his trademark weapon. Perhaps, as a result, this has been called La Rue's finest film performance. Bonus Features: Uncut and Available for the first time in the USA| Contains a New Widescreen (1.66:1 Anamorphic) and a New Full screen version| Commentary track with both the Writer/Director (Phil Smoot) and the Editor (Sherwood Jones)| Meet the Legends: A one of a kind interview as Republic "B" Western Star, Sunset Carson, interviews legendary "King of the Bullwhip" Lash La Rue| Meet the Ingénue: Sunset'! s behind-the-scenes interview with newcomer Kari Anderson| Behind the News: News Conference before the filming| Behind the scenes: Home video footage on the set of Alien Outlaw| Trailer of The Dark Power with Lash La Rue. Specs: DVD9; Dolby Digital Mono; 90 minutes; Color; 1.66:1&1.33:1 Aspect Ratio; MPAA - NR; Year - 1985; SRP - $5.99.A veteren rancher risks everything when he recruits schoolboys to man a dangerous cattle drive. One of John Wayne's solid twilight hits, co-starring Bruce Dern and Colleen Dewhurst. Year: 1972 Director: Mark Rydell Starring: John Wayne, Roscoe Lee Browne, Bruce DernNotorious as the first John Wayne film that does the unthinkable--subject Wayne's character to a nasty fate after only a short time--the 1972 Cowboys isn't much more interesting beyond that. The story finds Wayne playing a rancher who takes 11 boys on a cattle drive. They run into a nut case (Bruce Dern) who deprives the kids of their leader, and the rest of th! e film is a tale of revenge. Mark Rydell (Cinderella Libert! y) d irects an unexciting production, although performances by some of the younger actors such as A. Martinez and Robert Carradine are memorable. --Tom Keogh